What better way to communicate quality than with the cinema standard of cinematography, cameras and lenses that have actually been used on various Netflix productions, and are on Netflix's current approved image capture list to deliver that cinematic look that you and your story deserves?
With Wild Lion Pictures, we empower your storytelling with the best image technology the industry has to offer.
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The RED DRAGON 6K has been and continues to be a workhorse when it comes to documentary work and film, known for its amazing color reproduction and of course, 16.5 stops of dynamic range.
SHOT ON RED DRAGON 6K
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The RED GEMINI 5K remains to date, even amongst the entire RED lineup of cameras, the undoubted choice for its dual ISO feature, being able to shoot in very low light situations with no noise, and still boasts 16.5 stops of dynamic range.
SHOT ON RED GEMINI 5K
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The RED KOMODO is famed for having a really compact form factor, perfect for run-and-gun, handheld shooting with all of RED's technology and still, 16 stops of dynamic range.
SHOT ON RED KOMODO
The Cooke Look is highly sought-after in film production for its warm, organic, and pleasing image quality, offering unique color rendering, smooth focus roll-off, and gentle contrast, creating a cinematic and nostalgic feel.
Cooke Speed Panchro lenses stand out with exceptional optical performance and vintage charm. With a fast aperture and precise mechanics, they allow for creative depth of field control and low-light shooting.
LENSED WITH COOKE SPEED PANCHRO
Atlas Lens Co.'s Orion series lenses deliver the striking beauty of painterly waterfall bokeh, disproportionate breathing, and signature yet controlled flare.
Anamorphic lenses give twice the horizontal field-of-view compared to an equivalent spherical focal length, and that means wide-angle images with the shallow depth-of-field of a telephoto prime lens, creating a uniquely cinematic sense of depth and perspective magnification.
LENSED WITH ATLAS ORION ANAMORPHIC
lights.
Aputure Light Storm 60x (Key)
Aputure Light Storm 60x (Fill)
Aputure Light Dome SE
Aputure Light Dome SE
Aputure Lantern
Nanlite PavoTube II 15C
Nanlite PavoTube II 15C
sticks.
Cartoni Focus 8 Fluid Head with Red Lock Tripod System
Cartoni Focus 12 Fluid Head with Red Lock Tripod System
audio.
RODE Wireless GO II (2 TX, 1 RX)
RODE Wireless GO II (2 TX, 1 RX)
DPA d:screet CORE 6060
DPA d:screet CORE 6060
DPA d:screet CORE 6060
SUBMINIATURE LAVALIER MIC
ZOOM F6 Field Recorder
Audio-Technica ATH-M50x
Professional Monitor Headphones
Deity TC-SL1 Timecode Slate
Atomos Ultrasync ONE
Atomos Ultrasync ONE
Atomos Ultrasync ONEtomos
movement.
Bright Tangerine KASBAH
Shoulder Support System
Ready Rig GS Stabilizer + ProArm Kit
Proaim Orion Mini Geared Head
Dana Dolly Portable Dolly System
monitoring.
ATOMOS Ninja V+, AtomX CAST
Hollyland MARS300 PRO Enhanced
Hollyland MARS300 PRO Enhanced
Hollyland MARS300 PRO Enhanced
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Documentary, Miniseries Production
Small camera operator crew with own equipment and highly customized setup for different filming environments
Fast turnaround with professional color grading and basic audio levelling
Experience and passion in helping people tell stories concerning the unseen, unheard side of society to practically create awareness or help others
the
production
team.
Joel Hanson Li is the Studio Director of Wild Lion Pictures (previously FUMhouse Productions), and operates as an independent Director of Photography and camera department on set.
Just as lions are few but don't hunt alone, at Wild Lion Pictures, we work with partners.
Partners who come from and work at the highest level of quality and professionalism.
Partners who are part of our pride.
OUR PARTNERS
ON LOCATION SOUND
Ande Schurr
PRODUCTION SOUND, COMPOSITIONS
Stereoimage Studios
STILLS, PHOTOGRAPHY
Bigpicture
EDITING SUPPORT
Will Robinson
OTHER DEPARTMENTS (SET DESIGN, GAFFER, WARDROBE & MAKEUP)
Available on request.